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Record Review: Moon Duo, Occult Architecture Vol. 1

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by Chris Sutton

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THE ONLY limit to an artist’s stylistic potency in this age of information is their ability to absorb the sacred vibrations of their record collection without sounding derivative. Guitarist/vocalist Erik “Ripley” Johnson seems to have an alchemist’s understanding of this balance.

His two main projects, Moon Duo and Wooden Shjips, are a culmination of each collective’s knowledge of vinyl obscurities, and while both bands famously ensconce themselves within a velvety Krautrock vortex, it’s the pastoral keyboard play of Johnson’s partner Sanae Yamada that puts Moon Duo on a more buoyant sonic perch. Her playful sine waves envelope the group’s fuzz like a Möbius strip, and provide a dreamy mattress for Ripley’s distinctly Spacemen 3-inspired vocal tropes and death rock guitar hypnosis.


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