by Marc Mohan
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Nocturnal Animals, fashion-designer-turned-director Tom Ford’s second film (and his first since 2009’s A Single Man) looks great, and the story is intriguing and disturbing. But the movie’s a downer, and it has the misfortune of showing up in theaters exactly when we really don’t need a downer—especially one about the emotional scars of rich, well-dressed white people.